romaji (Roman characters)
transliteration (italic) PLEASE NOTE THAT THE TRANSLITERATION IS INCOMPLETE AND MAY HAVE MINOR MISTAKES
"Black 36 (mod.) move (subj.) this after (obj.) hang-in-there (idiom.) matter ___ possible, number one (mod.) best move was" ____ (mod.) (name) 9th level pro ___, this Go as for first time praised.
Black-36 was the best move, which made the rest of the endeavor possible," praises Sanno 9-DAN for the first time during this match. Mr. Sanno does not usually make compliments.
Kuro 36 de ta no doko ni utte mo, koko o derarete wa katenai darou.
Black 36 at other (mod.) place in playing if, here (obj.) ____ as for not winning is.
If black-36 was placed at any other position, there would be no chance of winning.
Sorehodo no zettai no kyuusho na no da.
It (mod.) absolute point was (explan.).
It was such a critical point.
White 37 by black NISHI as for taken but, black 38, 40 and white ___ ____ center in influence (obj.) building, black (mod.) play in rhythm (subj.) put came to be.
Black NISHI was taken away by white-37. In the mean time while black-38 and -40 were leaning against white, black developed a stronghold in the center and they picked up the rhythm.
However this diagaram at one move only, bad move (subj.) is.
However, there is just one bad move in this diagram.
Nani ge naku utta kuro 50 no OSHI de aru.
Unpretentious move black 50 (mod.) OSHI is.
It is a "push" or OSHI of black-50 which was placed unpretentiously.
Sanno "Shiro 51 to derarete "KEIMA NO TSUKIDASHI" o yurushite wa ikemasen.
(name) "White 51 __ placed KEIMA NO TSUKIDASHI (obj.) permitting as for do not allow.
"When white-51 was placed, do not allow $B%a(JKEIMA NO TSUKIDASHI, or the push of KEIMA (knight's move)".
Kuro 50 de wa 2 zu, kuro 1 no KOSUMI ga reisei deshita.
Black 50 as for table 2, black 1 (mod.) KOSUMI (diagonal) (subj.) calm was.
At black-50, KOSUMI of black-1, shown in the table 2, was cool, says Mr. Sanno.
Kondo kuro 2 to OSE-rete wa kanawanai node, shiro 2 wa zettai.
This time black 2 ___ push as for cannot afford because, white 2 as for critical.
Since he cannot afford to be pushed by black-2, white-2 was inevitable.
Soko de kuro 3 to KEIMA ni wa zusu no ga umai.
There at black 3 ___ KEIMA at as for detour (mod.) (subj.) brilliant.
It was super to detour black-3 KEIMA.
White 51, 53 ___ tearing ____ actual-battle ___, by far in smart (mod.) (subj.) understand-polite was.
I bet you understand this is much smarter than to tear white-51 and -53 apart.
Jitsu wa kono ato mo KEIMA NO TSUKIDASHI o yurusu bamen ga mou ichido detekuru.
Actually this after also KEIMA NO TSUKIDASHI (obj.) allow setting (subj.) ___ one time comes out.
Actually later on once again this KEIMA NO TSUKIDASHI was allowed to play.
Although problems as for are but, 8-stone handicap (mod.) power as for tremendous.
Though there are some questionable moves, the 8-stones have an absolute power now.
Mada mada kuro ga dai yuusei de aru.
Still black (subj.) dominance has.
Black is still dominant.